The exhibits are arranged according in chronological order from the 12th to the 18th centuries, over 12 rooms on the ground floor and 3 display areas on the 1st floor, and include important architectural fragments, mosaics, sculpture and examples of decorative arts.
The itinerary starts with material from the Norman period, a moment of great glory for the city, whose port represented a stopover point of great strategic importance on Mediterranean shipping routes. The exhibts here, like most of the works in the first rooms, show signs of the vast range of influences absorbed from a wide variety of contemporary national and international artistic currents. This cultural background contributed to the formation of the great Antonello, who absorbed these experiences, reordered them and brought them together in a vision that was entirely Renaissance.
The modest figurative culture of Antonello's followers was supplanted, in the early 1500s, by the great Renaissance renewal, represented by G.Alibrandi and the Gagini family. These is turn were succeeded by the mannerist Polidoro and Montorsoli, who influenced local art for the whole of the century, up to the Counter-Reformation. This style of art was definitively swept away by the great event of the arrival of Caravaggio, destined to influence a great part of subsequent art.
On the first floor there are numerous other artefacts in gold and silver, fabric, ivory, and majolica, which bear withnes to the lively creativity of the silversmiths and of local craftsmanship in the 17th and 18th centuries.


