Siem Reap Things to Do

While in Cambodia you should take the opportunity to see the Aspara Dancing and you can catch a free show every night at the Temple Bar in Pub Street. Cannot quite remember when the show begins but just enter the bar and go upstairs to where the stage is. Order a meal here, the food is delicious, i had my first Amok there and came back for more the next night. Aspara is a celestial nymph, beautiful, young, elegant and exceptional dancers who entertain the gods. Believe me, the girls wear colourful costumes and make-up while they dance slowly to the music. I took a video of the girls performing and i never get tired of watching it. DON'T MISS OUT ON THIS PERFORMANCE!!

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Preah Khan is a huge, highly explorable monastic complex. Full of carvings, passages and photo opportunities. It originally served as a Buddhist monastery and school, engaging over 1000 monks. For a short period it was also the residence of King Jayavarman VII during the reconstruction of his permanent home in Angkor Thom. Preah Khan means 'sacred sword.’ In harmony with the architecturally similar Ta Prohm, which was dedicated to Jayavarman VII's mother, Preah Khan is dedicated to his father. Features of note: like most of Jayavarman VII's monuments, the Buddha images were vandalized in the later Hindu resurgence. Some Buddha carvings in the central corridor have been crudely carved over with Bodhisattvas, and in a couple of odd cases, a lotus flower and a linga. Also note the cylindrical columns on the building west of the main temple. It is one of the only examples of round columns and may be from a later period.

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Intentionally left partially unrestored, massive fig and silk-cotton trees grow from the towers and corridors offering some of the best ‘tree-in-temple’ photo opportunities at Angkor. Flocks of noisy parrots flit from tree to tree adding to the jungle atmosphere. Ta Prohm is well worth an extended exploration of its dark corridors and open plazas. This temple was one of Jayavarman VII's first major temple projects. Ta Prohm was dedicated to his mother. (Preah Khan, built shortly after Ta Prohm in the same general style, was dedicated to Jayavarman VII’s father.) Ta Prohm was originally constructed as a Buddhist monastery and was enormously wealthy in its time, boasting of control over 3000 villages, thousands of support staff and vast stores of jewels and gold. Of the monastic complex style temples, Ta Prohm is a superior example and should be included in almost any temple itinerary.

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It was originally constructed over the site of an earlier temple, and functioned as a Buddhist monastery under Jayavarman VII. As with other works of Jayavarman VII's era, it is a tightly packed architectural muddle, which like Bayon, suffered from several changes in the plans at the time of construction. It was also built using an inferior grade of sandstone and using poor construction techniques, leading to much of the deterioration visible today. A restoration project is underway on many of the towers and corridors, and some areas are blocked off. The foundation stele of the temple has not been found so there is no record of to whom it is dedicated. The 13th century vandalism of Buddha images that is seen on many Jayavarman VII temples is quite apparent on Banteay Kdei.

Huge temple-mountain in the heart of Angkor Thom. Largely collapsed and in ruined condition, the main temple area is undergoing extensive restoration and is not open to the public. The exterior entry gate and elevated walkway are open. Note the unique animal carvings at the walkway entrance, and the large reclining Buddha on the west side, added to the temple at a much later period.

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The construction of this temple mountain on Phnom Bakheng (Bakheng Hill), the first major temple to be constructed in the Angkor area, marked the move of the capital of the Khmer empire from Roluos to Angkor in the late 9th century AD. It served as King Yasovarman I's state-temple at the center of his new capital city Yasodharapura. The foundation of Bakheng is carved from the existing rock edifice rather than the laterite and earthfill of most other temples. Bakheng's hilltop location makes it the most popular sunset location in the area.

The giant stone faces of Bayon have become one of the most recognizable images connected to classic Khmer art and architecture. There are 37 standing towers, most but not all sporting four carved faces oriented toward the cardinal points. Who the faces represent is a matter of debate but they may be Loksvara, Mahayana Buddhism's compassionate Bodhisattva, or perhaps a combination of Buddha and Jayavarman VII. Bayon was the Jayavarman VII's state-temple and in many ways represents the pinnacle of his massive building campaign. It appears to be, and is to some degree, an architectural muddle, in part because it was constructed in a somewhat piecemeal fashion for over a century.

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Angkor Thom (Big Angkor) is a 3km2 walled and moated royal city and was the last capital of the Angkorian empire. After Jayavarman VII recaptured the Angkorian capital from the Cham invaders in 1181, he began a massive building campaign across the empire, constructing Angkor Thom as his new capital city. He began with existing structures such as Baphuon and Phimeanakas and built a grand enclosed city around them, adding the outer wall/moat and some of Angkor's greatest temples including his state-temple, Bayon, set at the center of the city. There are five entrances (gates) to the city, one for each cardinal point, and the victory gate leading to the Royal Palace area. Each gate is crowned with 4 giant faces.