The palace was originally built between 295 and 305 AD and was huge. Today you can still see the remains of it which make Split old town so special. I really liked checking out the narrow alleys and the squares in this area.
Unfortunately, a lot of tourists concentrate in this area especially if the cruise ships are in town. So if you stay overnight, make sure you visit later at night.
If you are interested you can visit the old catacombs (entrance fee), the Peristil (where sometimes concerts are held), the cathedral Sv. Duje from the 6-7th century which used to house the mausoleum of Diocletian.
Further we visited the Porta Aurea (Golden Gate) and the Porta Agenta.
Within the walls of the Diocletian's Palace people stroll, wait for their groups, and there is a Jazz club and restaurant. Of course picture taking is the main passtime. The arcaded gallery is quite elaborate on its upper floor and differs from the more severe treatment of the three shore facades. A gate in the middle of each of these walls led to an enclosed courtyard.
The palace is located in the heart of the inner-city of Split. The whole area is surprisingly intact and we could imagine we were in Rome . Built by the Roman Emperor Diocletian at the end of the 3rd century AD. The palace is is one of the most famous and integral architectural and cultural constructs on the Croatian Adriatic coast
In November 1979 UNESCO, adopted a proposal that the historic Split inner city, built around the Palace, should be included in the register of the World Cultural Heritage.
Housed in the lovely 15th century Papalic Palace, Split City Museum (Muzej Grada) offers both some interesting artifacts and a reconstruction of the palace's dining room in 15th century style.
I'd suggest you visit it as much for the opportunity to admire its gracious architecture and the views over the rooftops from its many windows on the upper floors. This was a grand and expensive building indeed, as evidenced by the quality of the decoration of the portal and loggia, the many windows and with the impressive wooden ceiling in the upper hall.
The exhibits include an armoury of 15th to 18th century weaponry, the city's charter, seal and coins, early sculptures from the cathedral belltower, old paintings, furniture and ceramics and a couple of magnificent Renaissance coffers - the usual mix of museums of this ilk.
The Emperor's private suites were built along the south wall of the Palace , to the east of the Bronze Gate- sea views have always been desirable - and although there's virtually nothing left of the grandeur that must have been there in his days, it's an quiet and atmospheric part of the town to wander through, though I think I'd avoid it at night. This became the city's ghetto in the 18th century, and is still known as the Get. It's a mix of rundown houses and some quite open spaces where excavations of the Roman past have seen many old houses demolished.
The palace's southern wall has a long stretch of arches and windows creating what would have been a very pleasant walkway with views over the sea and across to the islands. You can just imagine the toga-clad Diocletian strolling here.
The city's Ethnographic Musuem has moved to a restored building here from its place on Narodni Trg.
The Iron Gate is the best preserved by far of the palace's three land gates. It's quite easy here to see how the arrangement of a defensive yard between two sets of gates with high walkways above for the guards provided security to those within, though these days those same defenses are filled with cafe tables and icecream vendors cabinets.
Diocletian would have a hard time recognizing his palace by the sea if he was to come back today. Left to decay by its imperial tenants in the latter years of the Western Roman Empire, the palace was deserted for years until sometime in the 7thC AD when the citizens of Salona, the Roman city up the hill, took refuge within its walls from the advance of the tribes of Slavs and Avars who were taking over the region. As they occupied the deserted apartments of the Emperor's court and then began to build more and more dwellings , the wide streets and grand buildings disappeared under a warren of alleys, crowded little houses and the grander dwellings of the rich and the mediaeval city overtook the past.
The palace's fourth gate led to the west, and it was in this direction that the city spread when it began to outgrow the Roman walls in the 13th century. Whilst the area around the cathedral in the heart of the old city remained the religious centre, commercial and municipal life was now centred here in the new part. As you move through the gate and into another stage of the city's history, look out for the Cipriano Palace with its lovely windows and worn relief of St Antony just outside the Iron Gate.
The street leading to the Silver gate from the Peristil was the Decumanus, the main east-west street that crossed the Cardo Maximus, the original north-south street, at the centre of the palace.
As in all Roman cities, these two streets divided the palace into quadrants, each with its own purpose. The south-east quadrant was the private domain of the Emperor. Across the Decamanus, in the the north-east quadrant, could be found the palace's guards and soldiery.
The south-west quadrant was devoted to the gods - three temples once stood here - and the final quadrant, the north-western area was most probably reserved for administrative and domestic purposes.
Whilst the area south of the Decamanus has a lot of evidence of the palace, in the area to the north of the street, later building has all but completely subsumed any Roman remains. This part of the city is a maze of narrow streets, some so narrow you must walk in single file. Families live here, and cafes and little shops abound. You'll find beautiful Renaissance palaces with gracious courtyards and tiny houses with washing strung over your head. Keep your eyes open for lovely architectural features such as balconies and windows, coats of arms and staircases
Four gates divide the walled old city of Split into four quadrants. Standing by St Rocco's Chapel (the city's infrormation office) you're virtually in the dead centre. You've visited the area around the Peristil, the main street lead ing out of the square all head towards one of the gates, so what will it be, left, right, dead ahead or behind you.
With St Rocco's behind you, left will take you back to the Bronze, the city's south Gate, once the seaward entrance, and out to the Riva.
Turn right, to the north, and you're heading for the Golden Gate, and what was once the road to Salona, the nearest Roman city to the palace.
Behind you, east, is the Silver Gate, right beside the Peristil Hotel, it opens out into the tree-shaded Green Market, the Pazar.
Straight ahead is the Western Gate - known as the Iron Gate. Outside this gate you'll find the mediaeval city.
I've just come from the south, the choice is north, east or west. So which will it be?
Eeny, meeny, miney, mo ...
Directly opposite the cathedral, a narrow passage (Kraj Sv Ivana) leads out of the Peristil to a Roman temple long since put to Christian use. What was once the inner sanctum (the "cella") of a temple dedicated to the supreme Roman god, Jupiter is now the Cathedral's baptistery.
The headless sphynx on the stairs links it to the mausoleum (also flanked by a sphynx) back in the main square. When they were built, the two buildings faced each other - the area now filled by the houses lining the passage would have been the temple's outer court - and spoke eloquently of Diocletian's assumption of his immortality and equality with the gods. Just as the mausoleum of the man who was the scourge of the Christians of his day became the cathedral of the Christian city that grew within the walls of his palace, the temple of the ruler of his gods became the cathedral's Baptistry - a place that more than anywhere symbolizes the total acceptance of Christ as the Supreme Being in a Christian's life.
A bas-relief of a bishop by the door has been rubbed almost to obliteration by centuries of pious touch.
The cella/baptistery is small barrel-vaulted space. In Diocletian's day there would have been a statue of the god here and only the highest priests and the Emperor himself would have had access. Today the space is dominated by a cross-shaped marble font. Although the font itself dates from the 11thC, the carvings that decorate it - the elaborate interwoven motifs known as pleter and a relief of a of a king on a throne (thought to be Zvominir, the liberator of Dalmatia, who was crowned in nearby Solin in 1076) were only added in the 19th C. The modern sculpture of John the Baptist behind the font is by Ivan Mestrovic.
The Peristil was the palace's main courtyard and meeting place. As it was in Roman times, so it is today when the Peristil is still the hub of the old city. This was where the Emperor would make his public appearances. With two lovely arched colonnades along its length and the great domed gateway (the Vestibule) that was the main entrance to the palaces private Imperial quarters, you can imagine just how spendid it must have looked in Roman times.
The courtyard is dominated by the Cathedral and Bell Tower. Whilst the tower is a mere seven to eight hundred years old, the Cathedral itself is a thousand years older than that. It was built during Diocletian's lifetime to be his mausoleum. Even older is the granite Sphynx that still stands guard here. It was seventeen hundred years old when Diocletian brought it (and its pair, now in the Archaeological Museum) from Egypt to guard his tomb.
The small Crkvica Sv Roka (Chapel of St Rocco) beside the cathedral dates from the 16thC. It is used now as the tourist information office.
I'm looking forward to visiting the Luxor Cafe opposite the Cathedral again. It's built into what was first part of the Roman colonnade, then a Renaissance Palace. With an architectural pedigree like that, you just have to have at least one drink there whilst you're in Split.
In Diocletian's time the palace extended right to the water's edge , the sea lapping the western wall of the palace, with a seaward entrance known as the Bronze Gate (Mjenda Vrata). No boats can dock by that entrance now - a wide promenade known as the Riva lies between the water's edge and the city wall and leads around to the port, just a few minutes walk away. The Riva's lined with popualr cafes and there are shops built into the ancient wall all along its length. Look up from your cafe seat and you'll see the Roman masonry is still there, even though it is breached with windows and air-conditioners. Pass through the gate and you'll step back in time as you walk through the dim passage known as the Podrum - once a grim place of imprisonment, now lined with craft and souvenir stalls. Be sure to look beyond the little shops at the Roman brick and masonry of the roof and the walls and the dark recesses beyond.
Steps at the end of the Podrum will bring you out into the Peristil - the central meeting point of the palace when it was built and still the very heart of the old city
Is there another city in the world with such a unique heart? Split's Stari Grad is the only one I know of that is actually built within the walls of a Roman emperor's palace.
Long before sun-seeking 21st century tourists decided that the Adriatic coast of Croatia was a little piece of Paradise, Dalmatian-born Diocletian, decided a summer palace in his home territory was just what he needed, and a site near the Roman city of Salona, (now a ruin on the outskirts of Split) was just the place. Roman emperors being given to notions of grandeur, the palace he built was sufficiently splendid for him to decide he would retire there, and he then went a step further and built a magnificent mausoleum for himself within the walls. Successive emperors made use of the palace for the next couple of hundred years but it gradually fell into abandoned decay before time, and invading tribes from the north, saw the palace become a refuge for the citizens of Salona in 615. They took over the grand apartments of the nobility, the kitchens, the stables and all the other supporting areas of the old palace and gradually subsumed the crumbling grandeur into the warren of an early mediaeval city.
Whilst most of Diocletian's palace is now lost in the maze of narrow streets and houses that cram the old city, there is still plenty of evidence of its Roman origins to be seen as you explore the area within the walls.
Guided tours are offered but, for my money, the greatest pleasure is to be had exploring the narrow street and alleyways on your own. It's small enough for you not to get truly lost but you will surely lose yourself in time as you wander through the deeply shaded streets and brightly sunlit squares, the stone pavement polished by centuries of passersby beneath your feet. All around you the city's history is written on the walls, in courtyards and privates places
glimpsed through dorways. Roman brick and marble sit side by side with mediaeval stone, the palaces of once-great families back onto crammed-together shops and houses. Upper storey windows open onto rooftop vistas and a climb to the top of the belltower gives you a
bird's eye view of the whole city.
Peristyle is the main square of the Palace grounds and it's also the main impressive square within the old walls. On this square you find several ancient columns from Roman times, the cathedral which is the oldest in the world because it wasn't built as a cathedral but as Diocletian's mausoleum, a great cafe which serves its costumers on ancient steps, a sphynx which only looks fake, a crossing of the main roads inside the palace as well as many tourists, preferably in large groups.
Start your explorations of Split from here because everything's just a stone throw away from Peristyle. (Please don't use the stones there, they are Unesco World Heritage ;)
We entered Diocletian's Palace through the substructures, which is basically an ancient "basement" (on ground level though) full of dark halls full of handcraft souvenirs.
It's rather cool and wet in here. Unfortunately it's hard to escape the crowds. When we did once we found a hall which looked like a wedding chapel to me. Apparently you can get married in here. I guess a white shoulderless dress is out of question...
A headless sphynx is lying around in front of Jupiter Temple which you reach through one of the very narrow lanes from Peristyle. It was built in Diocletian's times and in the middle ages it was turned into a Baptisterium.
We didn't go inside these ancient walls but maybe we should have, it's said to be nice in this second octagonal building inside the palace walls which forms a circle on the inside...