Hospices de Beaune, Beaune

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  • "Last Judgement" right hand panels
    by breughel
  • Main Hospital
    Main Hospital
    by Herkbert
  • The Last Judgement
    The Last Judgement
    by Herkbert
  • breughel's Profile Photo

    Polyptyque "Jugement Dernier"

    by breughel Updated Sep 12, 2013

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    "Last Judgement" by Van der Weyden.

    Rogier Van de Weyden also called Roger de la Pasture, born in Tournai about 1400, death in Brussels where he was the official city painter, is one of these 15th century painters called "Flemish primitives" to distinguish them chronologically from the Flemish painters of 16th c. (P. Bruegel a.o.) and 17th c. (P. Rubens a.o.) and geographically from the Dutch school.

    Van der Weyden had nothing from a primitive as one can see from this immense polyptych (5,46 m length on 2,25 m in height) comprising 15 panels.
    The painting was carried out between 1443 and 1450. It was lost after the Revolution, only found back in 1836, magnificently restored; see the glare of the red colours.
    This work is today classified “historical monument”.
    This "Last Judgement" polyptych was abundantly described; I don't see the need to start again here.

    I found admirable the realism and beauty of the faces. Furthermore there is not one demon on the side of the hell. The humans are the only responsible for the good and bad.

    I made some photographs which I present here in a travelogue.

    Open:
    1/01/2013 - 22/03/2013
    9 - 11.30 h & 14 - 17.30 h (tickets) 18.30 h.
    23/03/2013 - 17/11/2013
    9 - 18.30 (tickets) 19.30 h.
    18/11/2013 - 31/12/2013
    9 - 11.30 h & 14.00 h - 17.30 (tickets) 18.30 h
    Price (2013): 7,00 €. Reduced for students and free for children up to 10 yr.

    =================

    Rogier Van de Weyden aussi appelé Roger de la Pasture, né à Tournai vers 1400, mort à Bruxelles dont il était le peintre officiel est un de ces peintres du XVe siècle qu'en Belgique nous appelons "Primitifs Flamands" depuis le milieu du XIXe siècle pour les distinguer chronologiquement des peintres Flamands des XVIe (P. Bruegel e.a.) et XVIIe (P. Rubens e.a) et géographiquement de l'école Hollandaise.

    Van der Weyden, élève de van Eyck, n'avait rien d'un primitif comme on peut voir de cet immense retable (5,46 m de long sur 2,25 m de haut) comportant 15 panneaux.
    L'œuvre fut réalisée entre 1443 et 1450. Elle fut perdue de vue après la Révolution, seulement retrouvée en 1836, magnifiquement restaurée, voyez l'éclat des couleurs rouges. Cette œuvre est aujourd'hui classée "monument historique".
    L'œuvre a été abondamment décrite, donc inutile de recommencer ici.

    Personnellement je trouve admirable le réalisme allié à la beauté des visages. Et puis il n'y a pas un seul démon du côté de l'enfer.

    J'en ai fait quelques photos que je présente ici en un travelogue.

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    Grande Salle des "Pôvres".

    by breughel Updated Sep 12, 2013

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    H��tel-Dieu, Grande Salle de
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    The grand hall of the poor.

    It is for the visitors the most spectacular part of the Hôtel-Dieu with its 50 m length and 16 m in height. The furniture of medieval style one sees dates of the restoration of 1875.
    The hospital of Beaune was regarded as a “palace for the poor” because of its decoration but especially because the patients were not more than two per bed in a time when three or four patients per bed was frequent in the hospitals. Thanks to the canopy and the curtains the beds formed a closed cell protecting from the cold.
    In the central space there were tables and benches for the meals.
    Behind the beds there are chests for the clothes of the patients.
    As this hall was cold in winter a large tin trunk filled with ebullient water was installed in the centre.

    On his arrival the patient receives a bath and his hair was cut. He would put on the clothing of the hospital; his own clothing was disinfected with sulphur and kept for his exit. He also goes to confession. The patient must have a clean body and a clean mind.
    The chapel is there to point out the spiritual side with the polyptych of the Last Judgement which in the past decorated the altar.

    The painted beams and the dragons that connect them to the walls as well as the carved heads representing people from Beaune attract the attention of the visitors. The ceiling is indeed spectacular.

    Open:
    1/01/2013 - 22/03/2013
    9 - 11.30 h & 14 - 17.30 h (tickets) 18.30 h.
    23/03/2013 - 17/11/2013
    9 - 18.30 (tickets) 19.30 h.
    18/11/2013 - 31/12/2013
    9 - 11.30 h & 14.00 h - 17.30 (tickets) 18.30 h

    Price (2013): 7,00 €. Reduced for students and free for children up to 10 yr.

    ====================

    C'est pour les visiteurs la partie la plus spectaculaire de l'Hôtel Dieu avec ses 50 m de long et ses 16 m de haut. Il faut savoir que le mobilier de style médiéval d'aujourd'hui date de la restauration de 1875.
    L'hôpital de Beaune était considéré comme un "palais pour les pauvres" à cause de sa décoration mais surtout parce que les malades n'étaient pas plus de deux par lit à une époque où trois ou quatre malades par lit était fréquent dans les hôpitaux. Grâce au baldaquin et aux rideaux les lits forment une cellule fermée protégeant du froid.
    Dans l'espace central se trouvaient des tables et bancs pour les repas.
    Derrière les lits se trouvent des coffres en bois pour ranger les affaires des malades.
    Comme la grande salle était froide en hiver on installait au centre un grand coffre en étain rempli d'eau bouillante.

    A son arrivée le malade reçoit un bain et on lui coupe les cheveux. Il revêt les vêtements de l'hôpital, ses propres vêtements sont désinfectés au soufre et gardés pour sa sortie. Il va aussi à confession. La malade doit être propre au physique comme au spirituel. La chapelle est là pour rappeler le spirituel avec le polyptique de van der Weyden qui anciennement ornait le retable.

    L'attention du visiteur ne manque pas d'être attirée par les poutres peintes et les dragons que les relient aux murs ainsi que par les têtes sculptées représentant des bourgeois grimaçants de Beaune.

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    The Hospital Sisters of Beaune.

    by breughel Updated Sep 12, 2013

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    H��tel-Dieu, nursing by the sisters.
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    Various rooms show us reconstitutions of sisters at work in the rooms of the patients or in the kitchen.
    The rule of the hospital sisters of Holy-Martha of Beaune was laid down by the chancellor Rolin and was approved by the pope Pie II in 1459. The congregation still exists.
    The rule imposed the vows of obedience and chastity but not of poverty. The sister kept her belongings. For the period of the temporary vows which covered her service at the hospital she could leave the congregation and go back to a secular life. I suppose that this characteristic is due to the fact that the first sisters were Beguines who came from Flanders.
    The action of the Hospital Sisters of Beaune was a great success. New communities were organized in 23 other hospitals.

    The day was shared between the spiritual life and the nursing activity. It began at 5 a.m. and finished towards 7 p.m. The devotion to the patients stands in the centre of the life of the community. At the time of the epidemic of plague in 1628 the majority of the sisters died.

    Open:
    1/01/2013 - 22/03/2013
    9 - 11.30 h & 14 - 17.30 h (tickets) 18.30 h.
    23/03/2013 - 17/11/2013
    9 - 18.30 (tickets) 19.30 h.
    18/11/2013 - 31/12/2013
    9 - 11.30 h & 14.00 h - 17.30 (tickets) 18.30 h

    Price (2013): 7,00 €. Reduced for students and free for children up to 10 yr.

    ======================

    Différentes salles nous montrent des reconstitutions de soeurs au travail dans les salles des malades ou à la cuisine.
    La règle des Hospitalières de Sainte-Marthe de Beaune a été établie par le chancelier Rolin et approuvée par le pape Pie II en 1459. La congrégation existe toujours.
    La règle imposait les vœux d'obéissance et de chasteté mais non pas de pauvreté. La sœur disposait de ses biens. Pendant la période des vœux temporaires qui couvraient son service à l'hôpital elle pouvait quitter la congrégation et retrouver une vie laïque. Je suppose que cette particularité est due au fait que les premières sœurs étaient des béguines venues de Flandres.
    L'action des sœurs hospitalières de Beaune connut un grand succès. De nouvelles communautés furent organisées dans 23 autres hôpitaux.

    La journée était partagée entre la vie spirituelle et l'activité soignante. Elle débutait à 5 h du matin et se terminait vers 19 h. La dévotion aux malades est au centre de la vie de la communauté. Lors de l'épidémie de peste de 1628 la plupart des sœurs moururent.

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    Hôtel-Dieu. Toiture - Roof from 1902 !

    by breughel Updated Sep 12, 2013

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    H��tel Dieu - The famous roof.

    The roofs are not the original ones!

    The medical aspects of the Hospices de Beaune were not a surprise for me, I visited in Belgium another Hôtel-Dieu i.e. the Hospital "Notre Dame à la Rose” of Lessines, but the architecture, the external and interior decoration here in Beaune are really imposing as well as the perfect preservation. I spent two hours on visiting and admiring the premises.

    Most spectacular is the sight on the roofs with the geometrical figures of the glazed coloured tiles,
    It seems that these polychrome roofs originated in Central Europe and this style was propagated in Burgundy.
    It should be noted that these tiles in red, brown, yellow and green colours are not the original ones. The original decor is lost. What we see now is a reconstruction between 1902 to 1907 by architect Sauvageot according to his inspiration.

    Architecture and decoration are of Flemish inspiration. The founder of the Hospices de Beaune Nicolas Rolin (1372-1462) remained in Flanders which belonged to the Duke of Burgundy Philippe le Bon.

    =====================

    La toiture n'est pas d'origine!

    Si la partie médicale de l'Hôtel-Dieu de Beaune ne fut pas une surprise pour moi, j'ai visité en Belgique un autre Hôtel-Dieu soit "L'Hopital Notre Dame à la Rose" de Lessines, par contre l'architecture, le décor extérieur et intérieur sont grandioses ici à Beaune. Je pensais visiter les lieux en une heure, il m'en a fallu deux.

    La vue spectaculaire sur les toitures aux figures géométriques colorées ainsi que sur les lucarnes et galeries est préservée.

    Il semble que ces toitures polychromes aient pour origine l'Europe centrale et ce style s'est propagé en Bourgogne. Il faut savoir que ces tuiles en couleurs rouge, brun, jaune et vert ne sont pas d'origine, les dessins originaux ont été perdus. Il s'agit d'une reconstruction de 1902 à 1907 par l'architecte Sauvageot.

    L'architecture et le décor sont d'inspiration flamande. Le fondateur des Hospices de Beaune Nicolas Rolin (1372-1462) avait séjourné en Flandre qui appartenait au Duc de Bourgogne Philippe le Bon.

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    Tapisseries - Tapestries

    by breughel Updated Sep 12, 2013

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    Aubusson Tapestry at H��tel-Dieu

    It is not surprising to find so many beautiful tapestries at the Hospices de Beaune as the Dukes of Burgundy and the noble ones of their court were fond of tapestries and collected them. These luxury articles showed the material power of their owners. Moreover tapestries had the advantage of being able to be transported of a residence to another and to improve the thermo isolation of the walls to which they were hung. When their dimensions were not appropriate any more for the rooms to be decorated a part was just cut off!
    At the Hôtel-Dieu the visitor will see in the room of the Polyptyque a very wide (7,50 m) tapestry “thousand flowers” (Flanders) of the legend of Sint-Eloy.
    The other tapestries are in the Saint-Louis room. There are seven tapestries of Tournai (Belgium), begin 16th c., telling the Parabola of the Prodigal son.
    Others of Brussels, end 16th c., evoke the history of Jacob. The cartoon designer was Bernard van Orley what explains the superb quality.
    There is also a very beautiful French tapestry of Aubusson (17th c.) “The round dance of young people”.

    The "lissiers" tapestry weavers used two type of weaving loom: the horizontal loom called "basse lisse" and the vertical one "haute lisse". In both case the weavers worked on the back side. It has been calculated that one "lissier" would weave about 1 square meter in one month!

    Open:
    1/01/2013 - 22/03/2013
    9 - 11.30 h & 14 - 17.30 h (tickets) 18.30 h.
    23/03/2013 - 17/11/2013
    9 - 18.30 (tickets) 19.30 h.
    18/11/2013 - 31/12/2013
    9 - 11.30 h & 14.00 h - 17.30 (tickets) 18.30 h

    Price (2013): 7,00 €. Reduced for students and free for children up to 10 yr.

    =================

    Il n'est pas étonnant de trouver tant de belles tapisseries aux Hospices de Beaune, les Ducs de Bourgogne et les nobles de leur cour raffolaient des tapisseries et les collectionnaient. C'étaient des objets de luxe qui montraient la puissance matérielle de leurs propriétaires. De plus les tapisseries avaient l'avantage de pouvoir se transporter d'une demeure à l'autre et d'améliorer l'isolation thermique des murs auxquels elles étaient accrochées. Quand leurs dimensions ne convenaient plus aux pièces à décorer on en coupait un morceau!
    A l'Hôtel Dieu on trouve dans la salle du Polyptyque une très large (7,50 m) tapisserie "mille fleurs" (Flandres) de la légende de Saint-Eloi.
    La plupart se trouvent dans la longue salle Saint-Louis. Il y a sept tapisseries de Tournai, début XVIe, racontant la Parabole du Fils Prodigue.
    D'autres de Bruxelles fin XVIe (atelier de Martin Reymbouts), évoquent l'histoire de Jacob. Les cartons sont de Bernard van Orley ce qui explique la superbe qualité esthétique.
    Il y a également une très belle tapisserie française d'Aubusson (XVIIe) "La Ronde des Jeunes gens".

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    L'Hotel-Dieu - Last Judgement

    by Herkbert Written Jul 4, 2013
    The Last Judgement
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    In addition to the hospital, you should not miss the beautiful religious masterpiece - The Last Judgement - painted in 1450 by Rogier van der Weyden. It is kept in a separate area to preserve it and to give people a chance to see and really appreciate it in a more tranquil setting.

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    Musee Hotel-Dieu - Monument to Caring

    by Herkbert Written Jul 4, 2013
    Hotel-Dieu Courtyard
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    It was established as a hospital in 1433, classified as a historic monument since 1862 and continued to serve those in need right up to its closing in 1984. That's 550 years of providing for those in need.

    From the outside, it is the building with the colorful tiled roof. On the inside, it is an incredible story. It has been called a "palace for the poor" in the heart of Burgundy. When you enter the courtyard, you see how big a place the Hotel-Dieu really is; though most people are just taken by the beautiful roof tiles.

    Now a museum, you can walk through history and see how the people were cared for with dignity by the nurses and doctors. You see the living quarters, chapel, apothecary, kitchen, tapestries and many every day objects from throughout the years.

    At a cost of 7.00 Euro, it is a worthwhile way to spend some time enjoying history.

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    Hospice de Beaune, Hotel Dieu

    by gwened Updated Jun 25, 2013
    main hall of the sick at hotel dieu
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    a masterpiece of huge historical significance for the region,you must come to see it a must.
    More on it at contact ,and the tourist office story on it here
    http://www.beaune-tourism.com/visits-France/burgundy-visit/monuments-detail.asp?id=MONBOU02100048

    a bit of history from the local view
    The Hospices de Beaune or Hôtel-Dieu de Beaune is a Hôtel-Dieu / Hospices of Gothic flamboyant style with roof tile glazed Burgundy, founded in the 15th century by the Chancellor of the Dukes of Burgundy Nicolas Rolin and his wife Guigone de Salins. It is famous for its wines sold at auction to finance its operation, known as sale of the hospices de Beaune. It is to this day a Museum of medicine and among others exposes the last judgment in polyptych of Rogier van der Weyden.

    The interior courtyard, rectangular in shape, it has a water well in Gothic ironwork. It gives views of the various buildings roofed in tile glazed Burgundy, technique probably originated in Central Europe, but which became characteristic of the Burgundian monuments (the great Hall is covered from simple Slate).
    The Chapel, It is part of the room of the 'poor' and was decorated at the origin of the Polyptych of the last judgement, attributed to the Flemish painter Rogier van der Weyden, open and closed during the week for Sundays and solemn celebrations. Guigone de Salins there lie. A wooden rood-screen separates from the restoration of buildings, Chapel and the sick room.
    The Grand Room of the poor, Imposing size , it is covered with a monumental structure related and painted, shaped boat Carina (upside down). Transverse beams out of the mouth of multicoloured dragons that evoke the monsters from hell. Small sculpted heads, representing caricatures of beaunois bourgeois whose faces are accompanied by head of animals that symbolize their respective faults, punctuate the spans. Tile includes the monogram of Rao and his motto: Seulle. This word accompanied by the star means that his wife, Guigone de Salins is the only Lady of his thoughts.
    The room is occupied by two rows of beds to curtains along the southern walls and North, central square being reserved to the tables and benches for meals. The furniture was restored in 1875 by the son-in-law of the architect Viollet-le-Duc Eugène. Two patients were lying on each bed. Behind each bed a chest allowed to store the clothes of the sick. A corridor has a bench seat equipped with chairs of ease runs along the wall behind the curtains.

    Salle Sainte Anne, Located to the West, in the room of the «poor» contact It included only four beds.
    Salle Saint Hugues, Close to the last, it was founded in 1645 and includes a few beds for wealthier patients. It is remarkable for its murals of Isaac Moillon representing various miracles of Christ and saint Hughes, Bishop and carthusians. It is also represented on the retable of the altar, resurrecting children who died of the plague. This sick room was refurbished in its setting of the 17th century.

    salle Saint Louis, Dedicated to King Saint Louis, she closed the Court to the East and was built on the site of a barn in 1661. This piece also contains beautiful gothic vaults, a fountain and two series of tapestries from the 16th century, which tells one woven in Tournai in seven episodes the parable of the prodigal son and the other from Brussels evokes the story of Jacob.
    Salle Saint Nicolas,Located north-west of the Court, it was intended for the most serious patients and contained 12 beds. It serves currently as showroom on the history of Hospice and its vineyards. A glass lets see the sink of Bouzaise used to discharge wastewater.

    Salle Polyptyque du Jugement Dernier, The Hospices de Beaune have a remarkable work, painted in the 15th century, the Polyptych of the last judgment of the Flemish painter Rogier van der Weyden, polyptych rectangular mobile tiered, consisting originally of nine panels of Oak to vertical wire painted, including six on both sides initially exhibited in the chapel of the sick 'poor'; probably built between 1446 and 1452, this altarpiece first went to Jan van Eyck in 1836 before be attributed to Rogier van der Weyden in 1843. Sawed through the thickness of the panels, upside down and place (corresponding to positions) opened and closed are exposed together in one heated room.

    the pharmacy, It includes two small parts with its shelves of bottles and vials. The first room presents a mortar bronze equipped with a bow hung on the drumstick to lighten its weight and thus facilitate the work of Apothecaries in the preparation of remedies.In the second room, shelves are a collection of 130 dated 1782 earthenware pots in which were stored the ointments, oils, pills and syrups...

    Kitchen, with a large fireplace for two homes, it is furnished of various elements including an automated pin turns, dating from 1698, moderated by a small automaton in traditional costume called "Sir Bertrand" which seems to rotate the handle ensuring activities from the kitchen. The kitchen is now presented as it was at the beginning of the 19th century with its great stove with two hot water taps called "swan necks. A sainte Marthe polychrome wooden watch over the room, framed by copper basins.
    A huge cave of 300 sq meters is at the bottom and only open to the public during the hospice de Beaune wine auction.

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    Hospices de Beaune/ Hôtel Dieu

    by himalia11 Written Apr 15, 2013

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    Great Hall of the Poors
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    The Hospices de Beaune is former hospital which was established in 1443. You can visit this place and you’ll get an audio guide for this which is available in 10 languages and gives you a huge amount of information. It was interesting, but I’m usually to impatient to listen to such much information!
    The visit starts in the courtyard where you can admire the nice colored roofs which are typical for the Burgundy region. Next comes the Great Hall of the Poors with its nice oak ceiling and several sick beds. At the other end of the hall then is the chapel. Besides, you can visit the hall for those who were dying where some old medical objects are displayed – when you see them you are happy that you don’t live in the past, they look pretty scary! Also there’s a kitchen, a laboratory where they did produce medicine and the pharmacy. And then there’s a separate dark room with a polyptych and other tapestry, which was impressive. This was the only room where photos were not allowed.

    Open daily. Admission (2012): adults 7 €.

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    Hôtel-Dieu Pharmacie - Pharmacy

    by breughel Updated Apr 30, 2011

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    The parmacy with mortar.

    The hospitals had their own pharmacy and cultivated their medicinal plants.
    There are two rooms. The collection of 130 earthenware pots of Franche-Comté exposed on beautiful shelves goes back to 1782.
    What interested me particularly was the large bronze mortar from 1760 made for the pharmacist Claude Morelot represented on a painting. The pestle weighing 6 kilos was suspended on the ceiling by a cord connected to a bow in wood. The elasticity of the bow would back up the heavy pestle after each blow on the substances to be crushed in the mortar. Clever isn't!

    =============

    Les anciens hôpitaux avaient leur propre pharmacie et cultivaient leurs plantes médicinales. Il y a deux salles. La collection de 130 pots de faïence de Franche-Comté exposée dans de belles vitrines remonte à 1782. Ce qui m'a particulièrement intéressé c'est le grand mortier en bronze de 1760 appartenant à l'apothicaire Claude Morelot représente sur un tableau. Le pilon du mortier pesant 6 kilos était suspendu au plafond par une corde reliée à un arc. L'arc avait pour effet de remonter le lourd pilon après chaque coup porté dans le mortier aux substances à broyer. Ingénieux.

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    Hospices de Beaune Hotel-Dieu

    by northeast80 Updated Apr 4, 2011

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    Main courtyard
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    Founded in 1443 as a hospice for the poor of Beaune following the Hundred Years War, now converted, and preserved as a museum.
    It cost €6 (May 2007) entry for adults, I tried my best French but of course the lady on the desk spoke great English and gave us a leaflet with a map. For an extra cost you could hire a listening device that leads you around the museum with lots of facts.
    There were plenty of information boards in French and German around too.
    The first stop was the amazing courtyard with its tiled roofs, you keep popping back out during the course of the visit, the next place to see was the long row of beds for the infirm with a chapel at the end. The kitchen was an impressive stop, recreated in a 20th Century scene. The pharmacy was another interesting stop where lots of potions were made up by the Sisters.
    Another famous part of the museum is the 15th Century polyptych by the Flemmish artist Roger van de Weyden representing The Last Judgement. No flash photography is allowed, but there is a funny magnifying glass that moved over the painting.
    In the same room are some tapestrys, plus more in the following room.

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    Hôtel-Dieu - overview

    by Mikebond Updated Apr 4, 2011

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    Hotel-Dieu: outside
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    Hôtel-Dieu is the hospital that Duke of Bourgogne Philippe le Bon's Chancellor Nicolas Rolin founded in 1443. It kept its function until 1971.
    The building is a great example of Flemish architecture and it is attributed to Jacques Wiscrère. From outside, you see the slate roof with a high spire. When you enter the large courtyard (cour d'honneur), you can admire the wonderful rooms with coloured glazed tiles, decorated with geometric patterns. These decorations have become the symbol of the region.
    The right wing was rebuilt in 1659. On the left of the garden, you can notice a nice well in wrought iron. After looking at these wonders, you cannot miss the inside. You must pay to visit it, but I think it is quite cheap. You can also buy an inclusive ticket for the Musée des Beaux-Arts and the Musée Marey.

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    Hotel-Dieu des Hospices de Beaune

    by sue_stone Updated Apr 4, 2011

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    Hotel-Dieu des Hospices de Beaune

    The Hotel-Dieu des Hospices de Beaune is a beautiful building in the heart of Beaune.

    It was a charity hospital founded in 1443.

    The building is in gothic style and the roof is covered in multi-coloured tiles.

    Inside there is a display of the history of medical instruments and an 18th century pharmacy.

    The museum is open every day from 9am to 6.30pm

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    HOSPICES DE BEAUNE (HOTEL-DIEU)

    by Helga67 Updated Apr 4, 2011

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    Hotel-Dieu

    The medieval hospital was found in 1443 and was a place of refuge for the poor. It was used until 1971, when a modern hospital was finally built in Beaune.
    Nowadays it's a museum with a good overview of how people where nursed for many years. It's the most beautiful building in Beaune and worthwile visiting.

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    Hospices de Beaune Hotel Dieu

    by ViajesdelMundo Updated Jun 15, 2009

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    Cost of the tour is well worth it; Senior rate was 6.50Euros and includes a small brochure.
    Once past the spacious Courtyard where you have the best views of the colorful roof, there is the 1-Grand Hall of the Poor, which ceiling is huge and oak panelled, with broken barrel vaulting (see photos 2 and 3); 2-Chapel; 3-St. Hugues Room; 4-St. Nicholas Room; 5-Kitchen; 6-Pharmacy; 7-POLYPTYCH; and 8-St. Louis Room.
    See my Travelogue for more photos.

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