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 Madame de Sévigné at
Carnavalet by breughel
Before visiting this museum belonging to the City of Paris one has to know that the purpose of the collections is to illustrate the history of Paris since the Celtic period till the 20th century.
The exposed works of art such as paintings, statues, furniture and objects of the daily life were selected according to the history which they evoke and not according to their aesthetic value. The visitor should not expect to find here highlights of art as one can see in Le Louvre, Musée d'Orsay, etc.
This being said the art lover will find at the Carnavalet museum some beautiful pieces of furniture, precious objects of decoration like pendulums and a large number of interesting paintings from less known masters.
The museum covers mainly the 17th century with Madam de Sévigné who lived in the Hotel Carnavalet. Schoolboys of my generation will remember her famous letters. Well written but a bit soppy for the teenagers we were.
The 18th century with the reigns of Louis XV, Louis XVI as well as the Revolution is very well represented. The museum department on the French revolution is most spectacular and occupies the 2nd floor of the Hotel Le Peletier de Saint-Fargeau.
Very instructive is the 19th c. period which history is complex and which modelled the Paris of today with the vast urban renovation programme of Haussmann.
The museum, whose elegant architecture was described here by others, is located in a picturesque district which comprises an important orthodox Jewish community with the well-known rue des Rosiers. Within proximity is the famous Place des Vosges.
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En entrant par la Rue de Sévigné le visiteur ne peut pas s'imaginer que ce musée comporte au total une centaine de salles réparties entre l'Hôtel Carnavalet et l'Hôtel Le Peletier de Saint-Fargeau.
Avant de visiter ce musée de la Ville de Paris il faut savoir que les objets exposés ont pour but essentiel de faire connaître l'histoire de Paris depuis l'époque Gauloise jusqu'au XXe siècle. Les objets d'art tels que tableaux, statues, mobilier et les objets de la vie quotidienne ont été choisis en fonction de l'histoire qu'ils évoquent et non pas en fonction de leur valeur esthétique. Ce rôle étant celui du Musée des Beaux Arts au Petit Palais.
Ne vous attendez donc pas à trouver ici de grandes oeuvres d'art comme vous avez pu en voir au Louvre, Musée d'Orsay, etc.
Ceci étant dit l'amateur d'art trouvera au musée Carnavalet quelques beaux meubles, objets de décoration comme des pendules et bon nombre de tableaux de maîtres moins connus mais néanmoins intéressants à découvrir.
Le musée couvre principalement le XVIIe siècle avec Madame de Sévigné qui habita l'hôtel Carnavalet (les collégiens de ma génération se souviennent de ces fameuses lettres bien écrites mais un peu mièvres pour les adolescents que nous étions).
Le XVIIIe siècle avec les règnes de Louis XV, Louis XVI ainsi que la Révolution sont très bien représentés. Le département Révolution Française est le plus spectaculaire et occupe à lui seul le 2e étage de l'Hôtel Le Peletier.
Fort instructive est la période du XIXe siècle dont l'histoire est complexe et qui en matière urbaine (travaux d'Haussmann) modela le Paris d'aujourd'hui.
Le musée, dont l'élégante architecture a été décrite ici par d'autres, est situé dans un quartier pittoresque qui comporte une importante communauté juive orthodoxe avec la bien connue rue des Rosiers. A proximité se trouve la célèbre place des Vosges.
Open: 10 a.m.-5.40 p.m. Some rooms are open on alternate days.
Closed: Monday and some public holidays.
Entry is free.
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 Portrait of
Marie-Antoinette at the
Temple prison. by breughel,
2 more photos
This department illustrates by paintings, engravings, objects, documents, scale models the various stages of the Revolution.
There is the storming of the Bastille, the imprisonment and execution of the royal family members, the feast of the Federation, portraits of the revolutionary chiefs, weapons.
I noted with some perplexity that a certain number of objects (as the painting representing the decapitation of Marie-Antoinette) are at present in China for an exhibition on the French revolution which is held in Beijing until spring 2009.
Fortunately a series of objects which belonged to the royal family at the time of their imprisonment in the Temple remained in Paris.
There is the famous painting of Marie-Antoinette by A. Kucharski. (photo 1).
A part of the apartment occupied by the royal family during their captivity in the Temple has been reconstituted. Furniture and objects used by them have been assembled (photo 2).
One finds also here the famous painting of Bénazech “Execution of Louis XVI, January 21st, 1793” (photo 3). Engravings drawn from this painting diffused out of France the image of the execution of the King.
The Revolution department of the Carnavalet Museum is thus an excellent historical complement for those who visited the museum of the Conciergerie.
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Si vous n'avez pas le temps de visiter la centaine de salles du Musée Carnavalet ne manquez pas de monter au deuxième étage de l'Hôtel Le Peletier de Saint-Fargeau.
Ce département illustre par des tableaux, des gravures, des objets souvenirs, des documents, des maquettes les différentes étapes de la Révolution.
Il y a la prise de la Bastille, l'emprisonnement et l'exécution des membres de la famille royale, la fête de la Fédération, des portraits des chefs révolutionnaires, des armes.
C'est avec quelque perplexité que j'ai pu constater qu'un certain nombre d'objets (comme le tableau représentant la décapitation de Marie-Antoinette) se trouvent présentement en Chine pour une exposition sur la Révolution Française qui se tient à Pékin jusqu'au printemps 2009.
Il reste heureusement à Paris une série d'objets souvenirs ayant appartenu à la famille royale lors de leur emprisonnement au Temple.
Il y a le tableau de Prieur inspiré du fameux tableau de Marie-Antoinette peint par A. Kucharski. (photo 1).
On a reconstitué une partie de l'appartement et rassemblé du mobilier et des objets ayant servis à la famille royale lors de leur captivité au Temple (photo 2).
On trouve également ici le fameux tableau de Bénazech "Exécution de Louis XVI, 21 janvier 1793" (photo 3). Les gravures tirées de ce tableau diffusèrent hors de France l'image de l'exécution du Roi.
Le département Révolution du Musée Carnavalet est donc un excellent complément historique pour ceux qui ont visité le musée de la Conciergerie.
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The amateur of old furniture finds at the Carnavalet museum a collection of approximately 800 objects which furnished the Parisian residences of the Renaissance till the 20th century. Most represented are the Louis XV and Louis XVI periods.
The visitor will admire the beautiful "commodes" chest of drawers, "secretaries" (of which a very fine made by Delorme), desks manufactured by the great names of the Parisian cabinet work such as Migeon, Riesener (who worked for Marie-Antoinette) or Weisweiler.
One finds here also the new types of seats, more comfortable, created by Masters carpenters like Blanchard under Louis XV.
These pieces of furniture are grouped in living rooms or rooms. Most remarkable are the "Salon bleu" and "Salon jaune" Louis XVI of 1780.
I discovered some “commodes tombeau”, chest of drawers of the tomb type with very short legs.
Of course furniture exposed here is not comparable with that of the Château de Versailles but it is interesting because it decorated the residences of the nobility or rich middle-class of Paris.
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L'amateur de mobilier ancien trouve au musée Carnavalet une collection d'environ 800 objets mobiliers qui ont garnis des demeures parisiennes de la Renaissance au XXe siècle. Ce sont surtout les époques Louis XV et Louis XVI qui sont représentées. On peut admirer de belles commodes, secrétaires (dont un fort beau estampillé Delorme), bureaux manufacturés par les grands noms de l' l'ébénisterie parisienne tels que Migeon, Riesener (qui travailla pour Marie-Antoinette) ou Weisweiler.
On y trouve aussi l'ensemble des nouveaux types de sièges, plus confortables, crées par des maîtres menuisiers comme Blanchard sous Louis XV.
Ces mobiliers sont groupés en salons ou chambres. Les plus remarquables sont le Salon bleu et le Salon Jaune Louis XVI de 1780.
J'ai découvert des commodes de type "tombeau", avec des pieds très courts, que je ne connaissais pas.
Bien sur le mobilier exposé ici n'est pas comparable à celui du Château de Versailles mais il est intéressant parce qu'il ornait les demeures de la noblesse ou riche bourgeoisie de Paris. Directions: Métro Saint-Paul, line 1
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The nearly 100 rooms of the museum show many paintings, scale models and other documents on the transformation of the city between the 16th and 20th century.
From the 17th c. on many major construction programmes changed Paris from a still somewhat medieval city to a large modern capital. In the 18th c. the architectural activity was quite important in the public building as well as the private sector with the emergency of the Rococo style and a later return to classical styles inspired by antiquity.
Remarkable is the painting of H. Robert which shows the destruction of the houses built on the Notre-Dame bridge in 1789 (photo 1). Nowadays it is difficult to imagine that the bridges of Paris supported houses; it is necessary to have seen the Ponte Vecchio of Florence to understand what that could represent.
Many painters especially at the time of the Romanticism fixed the face of the capital with all its picturesque like this Seine' bank (photo 2).
Personally I liked a series of sights of Paris by less known painters of the impressionist period like this scene on a boulevard by J. Béraud (photo 3) and “Aux Champs-Élysées” of A. Truchet about 1900 (photo 4).
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Le musée comporte en ses différentes salles de nombreux tableaux, maquettes et autres documents sur la transformation de la ville du 16e au 20e siècle par les grands chantiers qui ont donné à Paris son visage de grande capitale moderne.
Remarquable est le tableau de H. Robert de qui montre la destruction des maisons construites sur le pont Notre-Dame en 1789 (photo 1). On s'imagine difficilement aujourd'hui que les ponts de Paris supportaient des maisons; il faut avoir vu le Ponte Vecchio de Florence pour comprendre ce que cela pouvait représenter.
De nombreux peintres surtout au temps du Romantisme ont fixé le visage de la capitale avec tout ce qu'elle avait de pittoresque comme ce bord de Seine (photo 2).
Personnellement j'ai bien aimé une série de vues de Paris par des peintres moins connus de la période impressionniste comme cette scène de boulevard de J. Béraud (photo 3) et "Aux Champs-Elysées" d'A. Truchet vers 1900 (photo 4).
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 Musée Carnavalet by sim1
And one of those surprises in the Quarter of the Marais was the Musée Carnavalet. I know this is a very well-known museum, but I wasn't thinking of going here..... Until I stood right in front of it!
The museum is housed in 2 adjoining mansions from the 16th century and the little courtyard immediately grabbed my attention. The little formal garden and the architecture of the mansions (the Hôtel Le Peletier de St-Fargeau and the Hôtel Carnavalet) just drew me inside the courtyard, wanting to see more of it. At the gate, just before entering the courtyard, they were handing out tickets for a free entrance to the museum; it was all so tempting....
I got torn in two: I wanted to go inside, to see it all, the houses, the museum, it looked so wonderful and right up my alley. The museum is devoted to the history of Paris and inside you can see entire decorated rooms with panelling, furniture and many works of art. I was so tempted! But outside the sun was shining and more of Paris was waiting for me.....
The sunshine won in the end, and I didn't see more then a glimpse of the museum, making myself a promise to go back later. The weather forecast warned for rain, which would be perfect for visiting this museum..... but it didn't work out that way. it never rained, so I never went back. But on a next visit even the sun won't stop me to go here! And back in Paris I will certainly be again :-) Leave a Comment
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This lovely lady is Maria Malibran (1808-1836), one of the most famous opera singers of the 19th century.
She was born in Paris, but began her operatic career in London at age 17 when she took over the role of Rosina in Rossini's "Barber of Seville" when the prima donna Giuditta Pasta fell ill.
The following season Malibran sang eight leading roles in New York as a member of the first-ever opera company to perform in that city.
She was the big star of Milan's Teatro alla Scala for three seasons in the 1830s, in fact she was the big star at major opera houses all over Europe, including of course Paris. Venice named a theater after her, which to this day is known as Teatro Malibran.
Malibran was sort of the Anna Netrebko of her epoch, but she did it all without television, without CDs or DVDs, without photos in magazines -- without all the media that help make reputations today. And she must have done all her travels around Europe by stagecoach or on horseback, because there were no airlines in her lifetime, and not even railroads, which she could have used if she had lived longer.
She was only 28 when she died in England, as a result of falling off a horse.
This painting of Malibran at the Musée Carnavalet is by Henri Decaisme (1799-1852).
Second photo: This lovely lady is Juliette Récamier (1777–1849), not an opera singer but a leading figure in French and especially Parisian society in the 19th century, as painted by François-Pascal-Simon Gérard in 1805.
Third photo: The large painting in the center of this photo is a View of the Market and Fountain of the Innocents, painted in Paris in 1822 by John James Chalon (1778-1854). The museum bought it at an auction at Sotheby's, New York, in 1986. Leave a Comment
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This free museum belongs to the City of Paris and is devoted to the history of the city from its earliest beginnings to present times.
Second photo: The museum is easy to reach by Velib', since there is a station (number 3031) right at the front entrance on rue de Sévigné.
Third photo: In addition to documents, statues and antique furniture, the Musée Carnavalet also features hundreds of original paintings that illustrate various epochs of Paris history.
Fourth photo: While I was there the Musée Carnavalet was showing a special exhibition on "Les Parisiennes de Kiraz" showing over two hundred cartoons by Edmond Kiraz that have appeared over the past six decades in such magazines as Jours de France, Gala, Vogue and Playboy.
These cartoons feature very thin long-legged young women from Paris. For instance two of these Parisiennnes are at the seaside, and one says to the other: "I'm frightfully prudish, I'm afraid. My husband has never seen me naked except on the beach."
Another cartoon shows a mother reproaching her gorgeous Parisienne daughter: "All your friends are getting divorced, and you aren't even married yet."
Or the beautiful Parisienne being carried through the surf by a strapping young lifeguard: "You've saved my life," she says, "so now I'll save yours. Don't marry me."
But I think my favorite Kiraz cartoon is of a lovely teen-aged Parisienne saying to her stout, sedate mother in their fussy, old-fashioned living room: "Mama, would you have married Papa if he had proposed to you while he was chewing gum?" Leave a Comment
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 Grand hotel by TheWanderingCamel
The beautiful rooms and passages are full of fine furniture, the best of French decorative arts, portraits, models, archaeological finds and more - all labelled in French, but no matter.
For me, it s the recreated rooms that tell the best stories. The Hotel Carnavalet was the favourite home of Mme de Sevigny, whose letters to her daughter paint a remarkable picture of life in the 17th century. Here you will find, reproduced in the finest detail, the salons and rooms of grand hotels that have long since disappeared along with others such as the 19th century writer Marcel Proust's bedroom, a military tavern and a salon from the famous Cafe de Paris. Anything and everything you can think of that has a tale to tell about Paris is here - endlessly fascinating. Yet another place to come back to again and again.
leyle Leave a Comment Phone: 01-44-59-58-58Directions: Admission free to the permanent collection Open 10am to 5.40pm Closed on Mondays Metro: St Paul
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Musée Carnavalet - Histoire de Paris
These Grand-Siècle-style hôtels particuliers are stunning with their beautiful pre-French-Revolutionary period rooms you walk thru to view arts decoratif. You'll even see a model of the Île de la Cité circa 1500s as well as vieux Lutèce and items from the Merovingian era.
The musée is actually 2 adjoining mansions (Hôtel Carnavalet - Paris beginnings-1789; Hôtel Peletier St-Fargeau - 1789-present), done up in the Mansart style, once owned by Madame de Sevigné, famed for her literary salons (hello Natalie Barney!) and hundreds of letters penned to her beloved daughter chronicling the era.
Because it is very easy to get lost in I recommend using Rick Steves' Paris guide walk. BTW, Rick Steves is crazy if he thinks you can do this tour in 90 minutes; I spent a couple of hours here & could easily have spent a few hours more. I know I didn't see even half the place.
Explanations are French only but this will not detract from your visit.
This musée is extremely close to my fave Marais hôtel, Grand Hôtel Jeanne d'Arc (south on rue de Sevigné turn left on rue Jarente). For some great area restaurants turn south on rue Caron from the hotel to picturesque Place du Marché Ste-Catherine.
Hours: Open Tuesday - Sunday 10am-6pm
Price: Free for the Permanent Collection
Bus: 29, 69, 76, 96
This photo I snapped from a window of the gardens.
Photos: April 2003 & Feb 2006 Leave a Comment Phone: 01 44 59 58 58Directions: Metros St-Paul & Chemin-Vert From St-Paul go north on rue Malher, right on rue des Francs-Bourgeois. From Chemin-Vert go west on rue St Gilles and south on rue de Sevigné.Website: http://www.paris.fr/musees/musee_carnavalet/ Other Contact: 01 44 59 58 10 Fx#
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My previous tips on Lutetia will take you to some of the earliest known sites in what became Paris. The Museum Carnavelet, however, is a museum dedicated to presenting the entire history of Paris from the prehistoric to the present. What’s more, it’s free! Built in 1544 and updated by Mansart in 1654, the museum buildings became the residence of Madame de Sévigné, before being purchased by the city of Paris for its museum in 1866.
Wander through and you will find yourself traversing rooms displayed in the styles of various periods: it was interesting to see the contrast between the sparseness of earlier times (photo 2) and the sumptuous later interiors (photo 3). Other displays take you through various historical periods, with quite a few items from Roman times (photo 4).
I’ve always been intrigued by the houses which once bedecked the bridges of the Seine, making them structurally unsafe until they were removed in Napoleon’s time. Here you will find paintings of them (and many other facets of Paris’s history) (photo 5), not to mention many other delights for Parisphiles!
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