The Origins of Realism in Cave Art at Pech-Merle
There is some convincing evidence that ancient cave artists blew their pigments onto porous wall surface from reeds, as their operative technic. They did not have brushes and the only other method would be to shape "chalks" from stones and charcoal sticks that could be rubbed on surfaces. However, that method could not be easily blended with mordants and binders to make the result durable. With a blowpipe, pigments and binders could be premixed. This hand seen in the cave is the beginning of "realism" in art aw well as demonstrating the above technic. It is also the forerunner of the silhouette. This "breakthrough" must have generated awe in all viewers (and symbolic meaning).




















