Modern travellers visited Sounion long before excavations started on the site, including Lord Byron in 1810. Restricted excavations in the sanctuary of Poseidon were conducted in 1825 by the Dilettanti and by the German architect W. Doerpfeld.
Systematic investigation was undertaken between 1897 and 1915 by the Athens Archaeological Society, under the direction of Val. Stais, with the collaboration of A. Orlandos.
Since 1994, the Archaeological Society has been carrying out excavations at the Fortress.
This is a great half-day tour option for travelers looking to explore Greece beyond the confines of Athens, complete with stunning views and world-class Greek ruins.
If you happen to visit or even live somewhere in Athens or its area you will be probably suggested to take an evening tour to Sounio which is situated 70 km to the South of Athens. There are two reasons to agree: the first you will see the Temple of Poseidon (and it will be quite enough not to be sorry for the choice) and the second and the main - you will see fabulous sunset which is considered to be the most wonderful in Attica!
I’ve taken this tour in November of 2007 when the sun set at 17.30. So all the excursion took me 4 hours: 2 hours to Sounio with several stops at the sea coast, an hour for Sounio itself and an hour for coming back to the hotel in Vravrona near Athens.
It cost me 40€.
Phone: 22920 39363
Hours: Daily 10am-sunset
Additional fee inside the sight: €4.
You may watch my high resolution photo of Sounio on the Google Earth according to the following coordinates 37º 38' 57.87" N 24º 1' 36.01" E or on my Google Earth Panoramio Sounio Poseidon Temple.
A sea arm of the Mediterranean Sea, the AEGEAN SEA is located between the southern Balkan and Anatolian Peninsulas, ie between Greece and Turkey.
In ancient times there were various explanations for the name Aegean. It is believed to have been named after the Greek town of Aegae, or Aegea, a queen of the Amazons who died in the Sea or Aigaion the "sea goat". The popular belief, especially among Athenians, is that it was named after Aegeus, the father of Theseus, who drowned himself in the sea when he thought his son had died.
Located along the scenic Saronic Coast was a little chapel called CHURCH OF AYIOS DIMITRIOS SARONIKOS. It was a lovely little chapel. I lreally enjoyed the beautiful icons in the chapel.
In photo 4 a beautiful icon was painted directly onto the wall of the chapel.
Favorite thing: The marble Temple of Poseidon, built soon after the middle of the 5th c. B.C., is the main archaeological attraction of Sounion. Originally a colonnade encircled the pronaos, the cella, where the cult statue of Poseidon was placed, and the opisthodomos. Of the original colonnade, which had 6 columns across the facades and 13 along the sides, 2 columns still stand on the N and 9 along the S flank. These unusually thin columns are articulated by 16 flutes, rather than 20 the more common number. The lower two steps on which these columns stand are unusual in their variegated surface and the cavetto molding which undercuts the vertical raisers. One column still stands between the two antae of the pronaos; these are aligned with the third column of the colonnade, an unusual characteristic of this architect. Originally a sculptured frieze lined the four sides of the area in front of the pronaos. The frieze depicted the Battle of the Centaurs, the Battle of the Gods and Giants, and the deeds of Theseus.
Favorite thing: Several of the frieze blocks can be seen on the site resting against the fortification wall on the left as one approaches the temple. The pediments once held sculpture (no longer preserved) and the whole was crowned by floral akroteria. One of the akroteria, found almost complete, can be seen in the National Museum in Athens. The temple is built of coarse-grained marble from the nearby quarry of Agrileza. It was designed by the same architect who built the Temples of Hephaistos and Ares in Athens and the Temple of Nemesis at Rhamnous, as indicated by the design (for example the relationship of the porches to the lateral colonnade), proportions (the unusually thin columns combined with a heavy superstructure), dimensions, and style (the Ionic moldings and frieze).
The Classical temple was constructed on top of the remains of an earlier unfinished temple made of poros limestone, begun in the early years of the 5th c. B.C. and destroyed by the Persians in 480. The foundations, steps, and scattered fragments of the columns and entablature of the earlier structure can be seen beneath the later one. Immediately to the S there is a small structure with partially preserved rubble walls which may have served as a temporary shrine after the destruction of the earlier temple and before the construction of the new one. The poros column drums that can be seen in its walls came from the earlier temple.
Stoas (about which little is known) once lined the N and W sides of the sacred area. Next to the stoa on the N lay the entrance into the precinct. This gateway consisted of two Doric porches of unequal length separated by a gate wall pierced by three doorways. A ramp led through the central door, similar to the Propylaea in Athens, so that animals for sacrifice could be led into the sanctuary. Marble benches lined the two porches. Fragments of 17 early archaic kouroi were found in a deep pit E of the Temple of Poseidon.
A rocky peninsula jutting into the sea at the S end of the region lies 69 km SE of Athens. It is famous for its classical marble temple which was built on the highest point of the cape and dedicated to the god Poseidon. It became the site of religious activities at least as early as 700 B.C. and in later times it was frequently used as a place of sanctuary by slaves who had run away from the nearby silver mines at Laurion. The earliest literary reference to the site occurs in the Odyssey (3.278) where it is said that Phrontis, Menelaus' pilot, was struck down by Apollo as he was passing the sacred cape; in the winter of 413-412 B.C. during the Peloponnesian War, it was fortified to protect the ships carrying corn to Athens (Thuc. 8.4); and later it was held by the slaves from the mines at Laurion during a civic unheaval (Posidonios, cited by Athenaeus, 6272ff).
The statues were probably damaged by the Persians at the time they destroyed the earlier temple. Since they were sacred dedications, they could not be entirely discarded, and thus they were deposited in the pit to make way for newer, undamaged dedications. The best preserved of the statues are on exhibit in the National Museum of Athens.
A fortification wall encircling the summit of the peninsula protected the inhabitants of the site. A few of the houses within the fortification have been excavated. They face onto a street roughly parallel to the N fortification wall and ca. 60 m distant from it. The houses were inhabited from the 5th c. B.C. to Roman times. The fortification wall can best be seen to the NE of the gateway. It is roughly 4 m thick, constructed of rubble masonry and faced with marble blocks. Square towers punctuated the wall at intervals of roughly 20 m. The fortifications were constructed toward the end of the 5th c. B.C.; during the Hellenistic period they were repaired and expanded. At this same time a ship-shed was constructed in a natural cove adjacent to the wall along the E side of the cape. A deep rectangular cutting ca. 21 m x 12 m can be seen extending inland from the sea. On the sloping floor of the cutting, two slipways were constructed to hold the ships; marble masonry originally surrounded the cutting and supported the roof.
On the low hill N of the main sanctuary there is a smaller temenos dedicated to Athena. Foundations of two small Classical temples and an enclosing precinct wall can be seen here. The larger of the two temples was built soon after the middle of the 5th c. B.C. and dedicated to the goddess Athena. Contrary to the normal plan of Greek temples, the colonnade of this temple was placed only across the front and along one side leaving the rear and N side without columns. Originally there appear to have been 10 columns across the front or E side and 12 columns along the S side.
Fondest memory: A small pronaos led to the main room of the temple.The remains of the base for the cult statue and foundations for 4 columns lie within this room.The two marble slabs at the E end mark the position of the threshold.Fragments of Ionic unfluted columns and various moldings of local gray-blue marble from Agriliza were found on the site. Identical fragments have been found in the Agora in Athens; it would appear that during the reign of the Emperor Augustus in the 1st c. A.D. part of this temple was transported to Athens and reerected in or near the Agora. One of the better-preserved capitals is on display in the Agora Museum and two of the capitals are in the National Museum.
To the N of the Athena Temple are the foundations of a smaller, later 5th c. B.C. temple. Foundations for the two columns which originally stood along the front, the marble threshold, the side and back walls made of local brown stone, and the blue Eleusinian base for the cult statue can be seen.
In the area around Sounion remains of at least five farming establishments have been found. Their most prominent feature is a towerlike structure, which probably served to protect both the inhabitants of the farm and the farm goods during piratical raids.
I. M. Shear, ed.
This text is from: The Princeton encyclopedia of classical sites, Princeton University Press 1976.
I love this picture with the island to the side.
Fondest memory: Getting to the top of the mountain where the temple sits and finding out that my friend had been taking pictures all day long, only to find out that he did not have film in his camera. He just about jumped off this cliff into the ocean.
We drove from Athens along the south border of Greece. I had no idea where we were going, but I was pleasantly surprised at this beautiful place called Sounio.
Fondest memory: The view is awesome and the cliffs look a little dangerous to me. I did not get too close to the edge.
The temple if Poseidon stood silently for thousands of years as a reminder of respect for mighty Poseidon and his mighty ocean.
The Cape Sounio has been recognized since prehistoric times as a special place of worship. There are two sanctuaries present, the sanctuary of Poseidon and the sanctuary of Athena. They were 2 Gods held in high esteem by the Athenians.
Favorite thing: The physical light during the sunrise or the sunset is the best we can have, ideal for taking pictures or feeling the magic of the moments. The columnes have only 16 cannelures, instead of 20, in order to be a better protection from the saltiness of the sea.
Andreas sits at his favorite place in Sounio, waiting until the sun goes deeply down in the sea... Maybe he is thinking about Aigeas, the king of Athens, who was waiting Thiseas, his son, to come back from Crete alive.
Thiseas had been there to kill the Minotaur, as he finally did, and had promised to his father that his fleet would have white -and not black- sails, during his return. Unfortunately, Thiseas forgot to change the sails, Aigeas saw the black ones and he fall from this rock, as he was thinking that his lovable son was dead...
The Aegean Sea, which you see, took his name...
I think it is really one of the best sunsets which can be seen in the world (although the sun is the same everywhere!).
I can compare it with the famous one in Santorini (Oia) or another I remember in Morocco. I think it has to do more with the feelings of a particular moment...