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Palazzo Pretorio
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Palazzo Pretorio
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The 13th century Palazzo Pretorio is situated opposite to the Palazzo dei Priori. Since 1244 it was the official residence of the leading authorities. There are two towers on the top of the building, the bigger one is called the Torre del Podesta, also known as Torre del Porcellino on account of the wild boar sculpted in Volterra stone that can be seen on a ledge to the right.

Written Oct 2, 2005

Address: Piazza del Priori

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Palazzo del Priori
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Palazzo dei Priori
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Palazzo dei Priori, built between 1208 and 1254, is the oldest civic hall in whole Tuscany. The striking facade has been remofelled several times and in 1472 the gallery and balcony overlooking the square were demolished and the two doors on the right were walled up. The palace was the official residence of the Fiorentine governors of Volterra, and it was returned to the city in 1513 by the Midici. On the outside wall the heraldic shields in honour of the Fiorentine governors still can be seen. The building is in the original Romanesque style, except for the mullioned windows remodelled according to the Fiorentine style.

Updated Sep 19, 2005

Address: Piazza dei Priori

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A twist of fate
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From the Warriors Tomb

The visit of the museum begins with the early Iron Age IX-VIII centuries B.C.. In Room I burial goods from the necropolis of the Badia and the Guerrucia excavated in 1892/1898. In Room I bis treasures from a Warriors Tomb have recently been added to the collection after an accidental find in 1996 of a rare exquisitely manufactured bronze crested helmet , a laminated bronze flask and items pertaining to a warrior.
It's a wonderful story where they decided to put a lift in for handicapped people and started digging. Guess what was under the museum! Today some of the diggings are clearly visible beneath a glass floor and, no, they still don't have a lift!

Updated Mar 29, 2005

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Ombra della Sera
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A shadow of his former self?

Possibly one of the most famous works of art from the Etruscans, this amazing statue is to be found in the Volterra Museum (see my page on it elsewhere). It is thought the idea was hit upon when someone was looking at a late afternoon shadow of someone and copied the effect though with the head still in normal proportions.
You are fortunate to be viewing this. Previously you would have had to know a certain farmer and, ideally, been at his place on a winter's night. The reason for this is that it was unearthed by a plough in 1879 and he subsequently used it as a poker for the fire!
It is believed to date back to the 3rd century BC and its name, meaning "shadow of the evening" was bestowed by the poet Gabrielle d'Annunzio.
You have to blow up the picture to see it all.

Updated Jan 1, 2005

Address: Via Don Minzoni 15

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The castle
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Don't get caught in here

While strolling around the wonderful historical (archaeological diggings are in progress) hilltop park you can't hardly help but notice the wonderful structure at one end. It's a good news/bad news scenario. The good news is that it has a modern purpose so it will be looked after. The bad news is that it is a state prison!
In 1530 in a last desperate attempt to reaquire autonomy Volterra rebelled against the Florentines war against the Medicis, allied with the latter but was again defeated and sacked by Ferrucci. When the Medici resumed power in Florence, Volterra lost its independence to the Duchy and then to the Grand Duchy of Tuscany and began the descent to a slow decline until the 18th century.
The prison is actually the Medici Palace, called the Rocca Vecchia.

Updated Dec 31, 2004

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In the name of art
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The construction of the theatre began at the beginning of the 1st century B.C. when the wealthy Caecina family rendered homage to the reconciliation with Imperialism by dedicating the monument to Augustus.
Just below the medieval wall there is a large terrace with three arched niches and two stairways which served as the entrance to the annular shaped criptoporticus over which the highest part of the cavea spread.
The cavea served as a seating area for the audience. Nineteen rows of the central and lower cavea are still visible, albeit with grass covering some of the stone. The itenera scalaria,the steps leading to the seats, are in Montecatini stone, the same used to sculpture the heads adorning the Etruscan gate.
At the foot of the cavea lies the semicircular orchestra originally veneered in marble.
The two corridors paradoi led onto the stage where the actors performed. The scaenae frons was elaborately adorned with two tiers of Carrara marble columns with Corinthian capitals. A couple of these columns still stand.
Three doors opened onto the stage from the wings which served as a changing area (the one on the left is still visible) . The curtain was rolled up from below in an ingenious telescopic manner and was contained in the narrow canal just in front of the wooden stage.
Behind the theatre are the Roman Baths built in the 4th century A.D.when the theatre had probably been abandoned.
The vestibule, the cold frigidarium and hot baths tepidarium and calidarium are still visible. In the far right hand corner is the laconicum or sudatorium, a circular room which served as a sauna.
Hot air was passed from the furnace ipocaustum into the raised terracotta flooring, remnants of which are still visible in the sauna.
During the Medieval period the area was used as a rubbish tip hence the Roman theatre and baths were completely buried until excavations began in 1951 by the Volterran archeologist Enrico Fiumi .
I must apologize but I have no photos.

Written Dec 31, 2004

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The Roman influence
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The last of the Etruscan Lucomons was forced to recognise the supremacy of Rome in the 3rd century B.C. after the battle of Lake Vadimone (283 B.C.) and became part of the Italic Confederacy in 260 B.C. changing its name to Volaterrae.
Relations with Rome were good. The populace expressed their solidarity during the second Punic War, supplying Consul Scipione with wheat and naval equipment and proved their loyalty during the social war which granted them the right to Roman citizenship in 90 B.C.
A few years later, involved in the civil war between Marius and Sulla, Volterra sided with Marius. After a long bitter siege that lasted for two years (82-80 B.C.) Volterra had no choice but to surrender . The city was ferociously sacked, deprived of its citizenship and its territory declared “ager publicus”.
In politics, it pays to back the winning side.
Cicero, a close friend of the influential Caecinae family passionately defended the city and the dictator’s sanctions were greatly reduced. Volterra continued to prosper in the last years of the century evidence of which can be seen in the urban development during this period which included the construction of the theatre and a vast residential area in the neighbourhood of Vallebona.

Written Dec 31, 2004

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The Etruscan influence
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Fading light over the Etruscans

Strolling the hilltop park we, at times, were beside some Etruscan excavations. Unfortunately for us they were fenced off and inaccessible. Thus it was the only shot available was the sunset as it cast its fading hazy beams across the ruins.
The Etruscan acropolis is situated at the heighest point of Volterra 552 metres above sea level offering a breathtaking panoramic view of the surrounding countryside including the sea and the Appennines, always assuming you don't have the seemingly eternal haze!
The acropolis, situated in the beautiful surroundings of a landscaped park named after the Volterran archeologist Enrico Fiumi, is a very interesting archeological site showing evidence of the superimposed layers of the history of the city.
This part of the city was destroyed in 1472 by the Florentines and the site not only encloses the foundations of two Etruscan temples , identified as temples A and B, but the road which delimited the sacred area, the vestiges of dwellings dating back to the Hellenistic period, a complex system of cisterns one of which is known as the Piscina and the ruins of medieval towers and roads .

Updated Dec 31, 2004

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They don't make them like they used to
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Mind the dust!

Oh, yes they do. O.K. so maybe they use a few electrical tools but I can attest that the hand finishing is just that, done by hand.
The wonderful works of art being moulded in this cottage industry were a sight to behold.
As I am an advocate of wandering down alleyways and exploring, especially in historical cities, I feel coming across places like this make it all worthwhile.
If you are facing the museum just go to your left and head down the first alley and keep your eyes peeled on the left hand side.
There, the alabaster casts and statues will delight your eyes and, if you have enough money, you can even buy them. After all, that's what this "factory" is all about.
The name “alabaster” is undoubtedly Egyptian and probably derives from the city of Alabastron which was famous for the manufacture of vases and amphorae made as perfume containers.
There are two varieties of alabaster: the oriental alabaster ( calcium carbonate) and the chalky alabaster ( hydrated calcium sulphate).
This chalky alabaster, carved in Volterra and mostly mined in Castellina Marittima was formed during the Miocene period as the sediments of calcium sulphate contained in the sea water underwent a process of concentration. A soft white stone, alabaster is more easily carved than marble and thus ideal for intricate decoration and classical sculpture work.

Updated Dec 31, 2004

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Museo Guarnacci
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Looking up

This is the reason I went to Volterra, its justly famous Etruscan museum.
I was also intrigued, while there, with its unusual ceiling motifs.
The Guarnacci museum is one of the earliest public museums in Europe. Founded in 1761 when the noble abbot Mario Guarnacci (Volterra 1701-1785) , a collector of antiquities, donated his archeological collection to “the citizens of the city of Volterra”. The donation also included a rich library of more than 50.000 volumes. A far-sighted gesture, for Guarnacci not only prevented the dispersal of the treasured contents of the burial sites but also bequeathed a prestigious cultural heritage to Volterra.
Guarnacci, an erudite historian also published Le Origini Italiche, Lucca 1767 ;a controversial publication that generated vivacious criticism from historical circles.

Updated Dec 31, 2004

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 This is the reason I went to Volterra, its justly famous Etruscan museum.I was also intrigued, while there, with its unusual ceiling motifs.The Guarnacci museum... 

 

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Q:  Hi everyone, we're 5 youngsters between 18 and 20 years old and we're planning to do a roadtrip across Italy in August. Some of... 

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A: There are no buses from Volterra to Lucca. You could take the bus back into Florence and then take the train to Lucca, or you can take a bus to Volterra Saline or... 

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Etruscans rule!

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 Somehow, I managed not to go to Italy during my first five decades of life. I was saving it as a special place. I suppose I had a whole lot of half-baked ideas about what I'd discover and experience... 

2

Bogu iza nogu

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 I dunno how to translate the croatian expression "bogu iza nogu",we use it in case the destination is not easy to be reached and Volterra is one of those destinations. Perhaps it is why some tourists... 

3

Volterra

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 Volterra is perched high on a sheer, rocky plateau, proudly overlooking the lovely Tuscan landscape below. It is an ancient centre, famous for its Etruscan and Roman past, and filled with museums... 

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Volterra: The Etruscan Town

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 Welcome to the beautiful town of Volterra. It is located between the rivers Bra and Cecina, and is surrounded by strong walls. The district is rich in alabaster, the working of which was an important... 

5

Etruscan delights

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 It was the museum. Touted as one of the finest Etruscan places of memorabilia I had pencilled it in on my itinerary. The biggest frustration initially was just getting there. I actually gave up on my... 

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