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Circus, Bath

Circus tips and photos posted by real travelers and Bath locals.
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• 25 Reviews

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Circus: I wouldn't mind living here!
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  • sue_stone
  • By sue_stone on September 21, 2004
  • Bath Page by sue_stone
  • The Circus - Bath
    The Circus
    by sue_stone
    The Circus is a magnificent circle of 30 Georgian townhouses, with a small park in the centre.

    Quiet an impressive street, and the kind of place I would love to live!

    If only the sun would come out!

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  • Directions: Close to the Royal Crescent. Walk up Gay Street from Queens Square (yes, seriously!!)
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    Circus: Regency Circle overlooking the Town
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  • pedersdottir
  • Updated By pedersdottir on April 5, 2004
  • Bath Page by pedersdottir
  • Townhouse circle - Bath
    Townhouse circle
    by pedersdottir
    Looking at the town houses that comprise the Circus today, it is difficult to believe they were part of a speculative suburban building boom between 1760 and 1790. Elegantly uniform on the outside, the houses were sold as 'shells' for individual buyers or builders to finish the interiors and rear yards as best they could.

    By maintaining the classical principals of proportion throughout the city, John Wood, father and son, achieved the effect of making Bath look like 'a city of palaces'. (Fanny Burney writing in 1791)

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  • Address: At the top of Gay Street
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    Circus: Send in the clowns
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  • iandsmith
  • Updated By iandsmith on November 22, 2004
  • Bath Page by iandsmith
  • Feel the history - Bath
    Feel the history
    by iandsmith
    Yes, I'm here. Ah, the circus. Can't beat a few elephants lumbering around beneath a trapeze.
    With that in your mind, you'll be disappointed. This Circus is about history. Buildings where famous people lived abound here and it has appeared in films, though not as much as the nearby Royal Crescent which any movie buff would instantly recognize.
    In The Circus lived such notables as William Pitt (Prime Minister), Gainsborough (painter), William Wilberforce (anti-slavery), Lord Clive (of India), David Livingstone (I presume) and Major.
    An architectural feature of note is that the three main classical column types are on display here. The lower plain one is Doric, the middle level is Ionic (curled top like a capital "I") and above is the highly decorative Corinthian.
    In the Circus you can also admire the frieze of carved 528 symbols, each one different, running around the front of the curved terraces. Count the acorns on the top of the parapets and see if there are still 108.
    One of these doors was the entrance to William Pitt's abode.
    Also here is the Museum of East Asian Art.
    John Wood made the Circus represent the Sun and the Royal Crescent the Moon, and Brock St which links them runs along an old line of psychic energy. So it's said, anyway, by the more imaginative guides. This is all John Wood's masterpiece, designed by him and completed by his son in 1754.

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    Circus: Perfect harmony
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  • toonsarah
  • Updated By toonsarah on March 15, 2009
  • Bath Page by toonsarah
  • The Circus, Bath - Bath
    The Circus, Bath
    by toonsarah, 2 more photos
    While the Royal Crescent is perhaps more famous, and is certainly stunning, my own preference is for the relative intimacy of this elegant circle of terraced houses just to its east. It was designed by John Wood the Elder and begun by him in 1754, but only completed in 1768 under the direction of his son John Wood the Younger after a hiatus of several years.

    The innovative form consists of three even-sized terraces of houses curving around a central circular space, and each separated from the other by the entrance into the circle of a street. The centre is today planted with London Plane trees but was originally left open as a sort of forum where residents could meet and do business (several notable politicians had their Bath residence here, including William Pitt in his second term as Prime Minister).

    It is said that Wood was inspired by the amphitheatres of Ancient Rome (he even talked of an “exhibition of sports” taking place at the centre of his Circus) and by druidical stone circles. It has also been said that both of the Woods were intrigued by Masonic symbolism, and it perhaps not an accident that seen from above the Circus and nearby Royal Crescent appear a little like the sun and moon. The Circus, along with Gay Street and Queens Square, also forms a key shape which is another Masonic symbol.

    Whatever drove Wood, he created a masterpiece of form that inspired others after him and set the tone for a frenzy of elegant building construction in his century’s most fashionable city.

  • Directions: Walk north on Gay Street (parallel to Milsom Street)
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    Circus: Circus
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  • Dabs
  • Updated By Dabs on February 13, 2008
  • Bath Page by Dabs
  • Circus - Bath
    by Dabs, 3 more photos
    The Circus in Bath has nothing to do with clowns and lion tamers, circus is the Latin word for circle and the Circus here is a circle of three buildings designed by one of Bath's main architects, John Wood the Elder. The elder Wood died before it was completed so his son John Wood the Younger completed the plans. It is said to be John Wood the Elder's finest work.

    There are three segments of buildings forming the circle and each segment has three floors. The exterior is adorned with three different types of columns, Corinthian on the top, Ionic in the middle and Doric on the bottom.

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    Circus: The Circus
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  • mallyak
  • By mallyak on September 24, 2008
  • Bath Page by mallyak
  • Circus - Bath
    by mallyak, 2 more photos
    Divided into three segments of equal length, the Circus is a circular space surrounded by large townhouses. Each of the curved segments faces one of the three entrances, thereby ensuring that whichever way a visitor enters there is a beautiful facade straight ahead.

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    Circus: No clowns - promise !
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  • sourbugger
  • Updated By sourbugger on September 9, 2005
  • Bath Page by sourbugger
  • Circus - Bath
    by sourbugger
    Although it is the Royal cresent that Bath seems most well known for, many vistors I think perhaps are more impressed by the handsome Georgian square known as the 'Circus'.

    The name comes from the Latin word 'circus', which means circle, or possibly it is comment on the quality of the buliders used.

    The architect, John Wood the Elder saw the Circus was part of his vision to recreate a classical Roman-style architectural landscape for the city.

    I believe that the roads into the circus were placed at 120 degree intervals so that whicjever road you approached by there was an impressive building straight ahead of you.

    The central space was originally a water reservoir, but is now a garden.

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  • Address: The Circus, Bath
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    Circus: The Circus
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  • suvanki
  • Updated By suvanki on July 30, 2007
  • Bath Page by suvanki
  • Houses , The Circus, Bath - Bath
    Houses , The Circus, Bath
    by suvanki
    This is one of Baths most famous examples of Georgian Architecture. The Circus was originally named Kings Circus.

    The name of circus comes from the latin translation of ring/oval/circle.

    John Wood the Elder had grand plans for the architecture of Bath, and this circular street of large townhouses is considered to be his masterpiece! He was inspired by the Colosseum in Rome, but instead of following the design of the outer being the most important view, he designed the circle to be admired from the inner. It was intended to be used for civic functions and games.

    The foundation stone was laid by John Wood the Elder on 18th May 1754, sadly, he died five days afterwards, leaving his son John Wood the Younger, to complete this incredible project .

    33 houses, built on 3 storeys, arranged in a circle, formed by 3 long curved terraces (the first circular street in Britain) the diameter of Stonehenge!

    Roman architectural styles (Doric, Ionic and Corinthian) can be seen in ascending levels, each becoming more ornate.

    The central grassed park area was originally formed of stone setts, which covered the reservoir which supplied water for the houses.

    Many of these houses were demolished during WW2, when a bomb scored a direct hit during the Baedeker Blitz in 1942.

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    Circus: The Circus
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  • Imbi
  • By Imbi on January 12, 2003
  • Bath Page by Imbi
  • Circus - Bath
    by Imbi
    The Circus was designed by John Wood the Elder, but was completed by his equally famous son John Wood the Younger. The design is a circle made up of three crescents and is said to be based on the Coliseum in Rome. At the time this was the first fully circular street in Britain and so it was viewed by many as a considerable achievement. It is well worth looking closely at the detail of the architecture, in particular the frieze that commemorates the achievements of the day. The columns on the facade are also interesting, for all three types of classical column are represented - Doric on street level, Ionic in the middle and Corinthian at the top. Among several famous residents who have lived on the circus, the artists Thomas Gainborough lived at number 17 and William Pitt the Elder at Number 8.

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  • Address: Bath, N.E. Somerset
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    Circus: The Circus
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  • Rachael71
  • By Rachael71 on April 7, 2005
  • Bath Page by Rachael71
  • A shame they can't ban cars! - Bath
    A shame they can't ban cars!
    by Rachael71
    The Circus really does epitomise the elegance of Georgian Bath. Beautiful curved terraces of Bath limestone sweep round in a circle, and it doesn't take much to imagine the ladies and gentlemen of society on this street. So charming and respectable - but look closer....

    The Circus was designed by the architect John Wood, who had a fascination with Paganism. He incorporated his interest into the buildings around the crescent, all of which are adorned with Pagan and naturalistic carvings such as pan pipes and mystical figures, each one quite individual. At the top of each house is an acorn. The circular crescent represents the sun, and the Royal Crescent, which he also designed, represents the moon. It is said that the road that connects the two is an ancient ley line. I wonder if the fashionable Georgians who lived in these houses knew of the symbolism?

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