El Panecillo is quite close to the city center so easy to get to. Don't go walking though! That's not so safe. The most special thing about going up here for me is that I finally had a good overview of the city including the south part which I had never seen before. If you are lucky and the sky is totally clear you can see the Cayambe and the Cotopaxi. At Christmas time it has nice christmas lights around the place.
On top of El Panecillo, there is the silver winged virgin monument that you can see from most vantage points in Quito. We didn't bother making the journey to see her, accounts about walking there discouraged it and said to take a taxi, in the end we didn't have time nor really the inclination to. The statue is 45 meters high (148 feet) and is modeled on Bernardo de Lagarda's La Virgen de Quito sculpture from the Iglesia de San Francisco
I suppose the appeal to visiting is not really the statue, rather the 360-degree views of Quito, on a clear day you should be able to see Cotopaxi in the distance. It's probably better to visit in the morning, we tended to have sunny mornings and cloudy afternoons.
There is a small fee to enter the grounds and another fee if you wish to climb to the top.
I visited El Panecillo for the first time in June 2011and I have written more about it here.
However, I visited again in July 2013 and this time I went inside the base of the statue. La Virgen de Quito is a 30 metre tall statue made of aluminum. The Madonna has got wings like an angel and a crown of stars above the head. She is standing on a dragon on top of a globe. Around the globe there is an observation deck from where you have stunning views over Quito. You can also go inside the globe and see the aluminum plates from inside. To go up to the observation deck cost $1 (July 2013). Inside the base there was a small exhibition with small dolls in different scenes and photos of the construction of the statue.
The statue was constructed in 1976.
When I visited El Panecillo in 2013 I took a taxi from La Marin for $3. When it was time to leave there was a taxi arriving with other visitors and I could take that taxi back to Centro Historico for another $3.
It is impossible to miss the hill known as El Panecillo , topped by its statue of the Virgen de Quito who watches over and protects the city. Although not high in comparison with the volcanoes among which the city nestles, it dominates the skyline when you look south down any of colonial Quito’s avenidas. And just as there are great views of it, so there are wonderful ones from it, so a visit to the top is a must if you can manage it. Best not to walk up though, as the steps that lead here are notoriously bad for crime and tourist muggings. We came by car with our friends Betty and Marcello, but a taxi shouldn’t cost you more than $5 maximum each way, and you should be able to persuade the driver to wait a short while for you to look around.
El Panecillo means “the little bread loaf”, because of its shape. The hill was a sacred site for the Quechua, who had a temple to the Sun god (Yavirac) here and called the hill Shungoloma, meaning “hill of the heart".
There are two reasons to come here – the statue, and the view. Starting with the former, it is 41 metres tall and was made of seven thousand pieces of aluminium. It was designed by the Spanish artist Agustín de la Herrán Matorras, engineered and erected by Anibal Lopez of Quito, and inaugurated on March 28, 1976, by the then archbishop of Quito, Pablo Muñoz Vega. The Virgin is standing on top of a globe and stepping on a serpent, which is a traditionally symbolic way to portray the Madonna. Less traditional are the wing – indeed, locals claim that she is the only one in the world with wings like an angel. The monument was inspired by the famous "Virgen de Quito" sculpted by Bernardo de Legarda in 1734, which adorns the main altar of the Church of San Francesco. It is full of movement – she might almost be dancing – very different to the usual static statues of the saint. The interior of the pedestal holds a small chapel. It is possible to climb to an observation terrace around the globe but we didn’t bother – according to Marcello, a Quiteño, the views are not that different from those you get at the foot of the pedestal, and we were more than happy with those.
Yes, the views – spectacular, on a clear morning such as we were blessed with! You can see the city spread out beneath you (we spent some time picking out the landmarks while Marcello told us something about many of Quito’s sights that we should see on our visit) and beyond it the volcanoes. As well as snow-covered Cotapaxi to the south we saw Cayumbe, also snow-covered, to the north along with Imbabura, Corazon and others. Do come here quite early in your day’s sightseeing though, as the clouds are likely to descend and hide the mountains from view by afternoon, especially in the rainy season.
Just below the feet of the Virgin is another sight, the so-called Olla del Panecillo. This large cistern is traditionally said to be of Inca origin, but recent tests have dated it to after the Spanish conquest. Marcello told us a story about a previous family visit here which should act as a warning. He decided he would like to get a photo of the family in front of the Olla del Panecillo, so he set the camera’s self-timer, rested it on the roof of his car parked just across the road and ran over to join the rest of the family posing for the shot. As the shutter fired a passer-by grabbed the camera and legged it – no family photo, and no family camera any more either :-(
Next tip: from the south of the old city to its northern fringes, the Basilica del Voto Nacional
El Panecillo, which means the Little Bread Loaf, is a small round hill south of Centro Histórico. On top of El Panecillo there is a big statue of La Virgen de Quito. The statue has got wings like an angel and a crown of stars above the head. She is standing on a dragon on top of a globe. There is an observation deck around the globe.
From El Panecillo there is a great view over Quito and the surrounding mountains. I visited in the afternoon, but it is better to come in the morning of a clear day, before all the volcanoes you can see from Quito are covered in clouds.
The Incas called El Panecillo Yavirac, and it was a place for sun worship.
From the end of García Moreno in Centro Histórico stairs are leading up to El Panecillo, but it is strongly advised not to climb those stairs. I have read many warnings saying that people often get mugged walking up to El Panecillo. So I decided to take a taxi, and as I didn’t know how easy it would be to get another taxi at El Panecillo I told the taxi driver to wait while I walked around for a while. I took the taxi from La Marín. From there El Panecillo looks to be quite close, but there is no strait road. On the way up we drove through a rough neighbourhood, which we didn’t drive past on the way down. When we arrived to El Panecillo the meter was on $3 and something and when I came back to the taxi it had very rapidly increased to $6 and something, even if I hadn’t been away for very long. Well, when we were back to El Marin the metre was on $8.50 (June 2011).
When I came to El Panecillo there were to other taxis waiting there, but when I was leaving there was only mine. Anyway, I think that if I would go again I would not ask the taxi driver to wait but hope to find one to go back with. Now I was a bit in a rush.
From here you will get a beautiful view of old Quito. You can get up to the Mirador which is to the bottom the the feet of the Virgen but you are still high enough to see at a distance. Take a taxi from El Centro (Old Colonial Quito) at La Marin (where all the buses cogregate on the east side of El Centro). It should cost about $5-6, and for that amount the taxi driver will drive you up the hill, wait for half an hour while you take in the view and take photos, and then drive you back again.
La Virgen del Panecillo towers over the city of Quito. It is 9,840 feet above sea level. It is a winged 148-foot tall aluminum Virgin that stands at the top of Panecillo Hill. The hill was a sacred site since the days of the Inca. El Panecillo was first known as Shungoloma during the time of the Incas. Shungoloma means “Hill of the Heart” and it was used by the Inca as a religious site for sun worship. When the Spanish invaded Quito, the sun temple was destroyed and a fortress was built during the years 1812 to 1815. The sculpture was created from seven thousand pieces of aluminum by Agustìn de la Herràn Matorras.
El Panecillo is a hill to the south of Quito’s historical Colonial centre that is most noticeable for the large Virgin of Quito statue atop it. The statue was constructed in the 1970s and watches over the city from the lush, green slopes of the hill. Panecillo was important during the reign of the Shyris, the Quechua kings, when it was used for worship of the Sun God that was the centre of Quechua religious belief. After the Conquest by the Spaniards, the hill began to attract lower-class citizens, who built their houses on its slopes. This development picked up remarkably after the post-Independence boom, although the installation of the statue of the Virgin has given greater emphasis for preservation of the green space, especially as the number of visitors to the site has increased. The Virgen de Quito was sculpted by a Spanish artist, Bernardo de Legarda, who took his inspiration from the statue of the Virgin on the altar of the Church of San Francisco.
Looking out over Quito, this 148 foot tall Virgin Mary statue sits upon Panecillo Hill. The statue is beautiful, as are the views of the city from the top of the hill. Items of literature are on display inside the building the statue sits over, as well some nice stained glass. Don't be tempted to walk up the winding road to the top, as this area is well known for muggings....take a cab!
Even during the night when I arrived from the airport, I could already see the well lighted 134-foot Winged Virgin of the Apocalypse, located on Panecillo Hill (literally means “little bread” and located in the middle of Quito’s Old Town). The Virgin, made of aluminum and completed in 1976, is believed to protect the city from the anger of the volcanoes.
I had my tour guide bring me the next day to the Panecillo Hill and the unique qualities of the statue are evident during the daylight. The statue was copied from a 17th century painting by Bernardo de Lagarda, who in turn is said to have modeled his painting after the typical Quiteña. As to why he added the wings, I don’t know. I’m sure there are several theories about it though. Also, the image is supposed to look like the Virgin is “dancing”, unlike other non-committal poses of the Virgin Mother.
And since I was there, why not climb up! For a small fee (US1-2? I don’t remember well), I went up the inside and saw views of Quito from the top and waved down at my tour guide but I wish he took a picture of me too (but I had my camera with me…). So, if you are with someone, maybe the other can stay behind below to take your pic? Take turns?
However, if you are foreign to Quito, it is safer to either get your guide and driver (as I did) or just have a cab bring you up to the statue and wait for you to go down. But make sure you already decide on a price for the cab before you go in, maybe about US$15 (?) if they wait for you…
Before the Spanish Conquistadores gave it this funny name, Panecillo – “little bread roll” - was called Yavirac and locals had built a temple to worship their god, the Sun. In 1976 by order of the church, 7000 pieces of aluminum were brought and assembled on top of the hill. So the 45m-tall Virgen de Quito monument standing on the peak, at more than 3000m of altitude, has been the dominating figure of Quito ever since. Locals are proud of their Virgen as it's the only one in the world that has wings and reminds of an angel. It also has a chain tied to a dragon at her feet and is stepping on a snake. What is really unique is that the Virgen is in a dancing position in contrast to the usual static Madonnas, and is an inspiration of the “dancing “ Madonna of the famous Ecuadorian sculptor Bernando de Legarda, kept in the altar of San Francisco church. Legarda was considered an artist of “tremendous” talent and his artwork can be seen not only in Quito but in Bolivia, too.
There is a small balcony at the feet of the monument for spectacular views of all around the city and the valley, but you have to pay 2$ to climb up from inside. The taxi driver who took you there can wait for half an hour and take you down again for totally 5-6$. But if you feel like staying more to browse at the handicraft stalls or have something to eat, you can find another taxi at the top for your way down. Personally the setting with the monstrous iron constructions for the lights so conspicuous that can be seen even from the town, disturbed my aesthetics... just between you and me...
El Panecillo means "little bread loaf" in Spanish and that's an apt way to describe the hill on the southern edge of the Old Town. It's topped by at statue of the Virgen de Quito and can be accessed by a path from below, but it's more advisable to take a taxi because muggings are supposedly common for the daring few who walk up the hill. I'm daring, but having been mugged before and knowing from experience that this is not a pleasant experience, I took a cab.
The evening I was here was great because a short and weak rainfall came and went and left a beautiful rainbow in the sky over the Old Town making the already beautiful views from here even more serene. Standing at the base of the Virgen de Quito, the sky was an indecisive color - not quite blue, not purple, not red, not pink - and all the colors of the rainbow permeated the scene and my memory of it now.
Cabs will be lined up at most hours, but if it's after dark when you leave, you might need to call a taxi, which can be done at the nearby Pim's restaurant just below the statue, where I enjoyed a meal and more great views.
The hill in central Quito was named "Panecillo," or "the roll" due to its shape. At 3000 meters (almost 10,000 feet) above sea level, it offers a panoramic view of Quito and all its natural beauty. On the summit of "the roll" is the monument to the Virgin Mary created in 1976 by the Spanish artist Agustín de la Herrán Matorras. It is composed of seven thousand pieces and is considered the greatest aluminum sculpture in the world. The statue of the virgin is a large-scale copy of the 30-centimeter (12 inch) one created in the 18th century by Bernardo de Legarda. The original is in the convent of the San Francisco Church.